Briton biography briefly

Maybe with instrumental accompaniment. In addition, he recreated typical English characters in operas. In the twentieth century, for the entire musical world, the combination of “Music of England” and “Britten Music” became synonyms. Like any Englishman, Britten adored the choir music and wrote a lot of vocal essays: oratorios, cantata, antima, separate choirs and songs. And thanks to Britten, all this appeared, albeit already in the twentieth century.

This is a system of 12 tones, in which each next tone is associated only with the previous one. Therefore, Britten's work itself “leaned” towards vocal music. Britten wrote for the pier a lot of vocal cycles and almost all the tenor parties of his operas are passionate “Mikelangelo's Sonnets”, philosophical and dramatic “holy sonnets of John Donna”, Serenade and Noktyurn, “Winter Words”, “Six Fragments of Gölderlin”, Kantikli Rod Religious Anthems.

Britten was a very temperamental and passionate person, Pierce possessed a more calm and reasonable character. It is difficult to assume who would be a pier without Britten, how it is not known what kind of works Britten would write without a pier. What did I do to earn the opportunity to write for such an artist and man? The most famous of them were Petya and the Wolf, Prokofiev, the “Carnival of Animals” by Saint-Sansa and the Britten “guide to the orchestra for young listeners”.

He took as a basis the theme of the suite of Henry Purcell “Ablazar, or the revenge of the Moor” and created on its basis a cycle of variations of variation-a change in the musical theme in some of the parameters: pace, dynamics, character, genre, etc. Active faces of the “guide”-tools. In the USSR of that time, he was loved and played by his works. When Glory and Galya so Britten called his friends read these poems aloud, the idea of ​​a small cycle arose.

Galina Vishnevskaya immediately performed him. In the year, when Mstislav Rostropovich and Galina Vishnevskaya were actually expelled from the country and subsequently deprived of citizenship, Britten became in the USSR Persona Non-Grada 6 Britten was an outstanding pianist Benjamin Britten. In addition, Britten played concerts with his friend “Glory” by Rostropovich, with the violinist Yehudi Menukhin and with many other musicians.

But mainly, of course, he concerts with his regular partner Peter Pierce. The play lasts about an hour and a half. Thus, a song cycle occurs inside the mass. The poet was killed in battle exactly a week before its end. Vocal: Peter Pier. They were close friends when the composer lived in the United States. For the premiere in England, a translation of poems into English was made.

The plate of "sonnets", published in the year, was the first joint entry of Britten and Pier. The vocal cycle became in the musical story on a par with the masterpieces of Hugo Wolf, Schubert and Malera. Britten himself rewrote a copy of the notes of his composition and gave Alma Maler - the widow of Gustav Malera, inscribing "with love." Conductor Benjamin Britten. In shape, the play is a topic with variations.

In his variable technique, Britten uses techniques for both the Novovensky school and the Renaissance polyphony. Three groups of votes participate in the choral ensemble: female, male and children's. The production of the BBC, a year of the opera takes place in Oldborough-a place by the sea, where the composer settled in the year. The main character is a fisherman.

Residents suspect him of raising and killing the boys. The fisherman finds a new apprentice. Britten builds a complex system of leitmotifs - that is, musical symbols, or formulas. The Premiere of Grimes approved the glory of Britten as the new British Orpheus, the second great English composer after Persell. The most famous cellist of the twentieth century was a master of sophisticated draws and a myth -making.

Allegedly, Rostropovich and Britten, were supposed to speak to a special British royal house. Shocked by the plastic of the Soviet musician, Britten begged him to cancel this ceremonial bow. Rostropovich exchanged his stupid Knixen for three plays for cello Solo. Britten, under the pressure of "Glory" fulfilled its part of the bet. The third suite uses Russian topics, including the melting "with the saints of the rest." It was she who conducted Rostropovich in a farewell tour with the orchestra of the Moscow Conservatory before emigration.

This is a mini-operator about the meeting of two ships at sea: one is loaded with treasures, the other is pirate. The boys choir are divided in half, into two teams, and tells the story on behalf of each of them. Soloists are also boys from the choir: captains and boatswains of both ships and the main character - Jung. All the colors and sounds of the sea are in his hands. From the film-Opera of Tony Palmer "Death in Venice." Here, Britten allows himself to be expressed frankly - but this is not repentance in sin, but a story about a lost and inaccessible paradise.

The main hero of the score of Britten can be called an orchestra.