Alexander Demyanenko Biography actor

Latest news biography Alexander Sergeyevich Demyanenko, without any doubt, the star of the first magnitude of Soviet cinema. After the screens appeared on the screens of a hilarious epic with a shurik, the actor bathed in glory and could not calmly appear on the street. But such a deafening popularity, which came to him with the light hand of director Leonid Gaidai, had the back, dark.

Demyanenko became a hostage to one image that for any artist is a tragedy. In addition, the hype and vanity around Alexander Sergeyevich, who rose everywhere wherever he appeared, was extremely irritated by the actor, silently by nature and a very closed person. The desire to touch the idol, to take his autograph, to talk with the star brought him hellish torment and incredible discomfort in everyday life.

Childhood and youth were born Alexander Demyanenko on May 30 in Sverdlovsk. Soon after the birth of the firstborn, the father left the family to another woman. She gave birth to him two children - the son of Vladimir and the daughter of hope. But the children did not hold a man in a new family.

He returned to his first wife, where Sasha was growing up. Soon the boy had his sisters Tatyana and Natalya. It was his father who played a decisive role in the fate of Alexander Demyanenko. The fact is that Sergei Petrovich was a maneanated, creative, real artist. In Sverdlovsk, Demyanenko Sr. worked as an actor of the opera Theater and taught theatrical skill at the conservatory.

After lessons, Sasha ran to his father in the theater and spent all his free time there. Already in childhood, he “fell ill” with acting and did not dream of any other profession. Despite the fact that the parents again parted due to the new hobby of his father, for Alexander Demyanenko he forever remained an idol and main authority. It is noteworthy that the children of Demyanenko Sr.

got along with different marriages among themselves. In the year, when it was time to decide on the profession, representatives of the selection committee of the Moscow Art Theater School for Recruitment of Students arrived in the city. Alexander tried to enter the prestigious theater university, but was so worried that he failed with a bang. Demyanenko went to a local university and entered the law faculty.

The student studied well, but a year later he realized that he would not be a lawyer. For several more years to “bite” jurisprudence in order to acquire a profession that the soul did not lie to, did not want to. He threw the university and went the second time to try his luck in the capital's theater institutes. He chose, as once his father, GITIS, about which he immediately joyfully informed his parents, sending a telegram to Sverdlovsk.

Demyanenko received the highest theater education and diploma in the year. In a talented student in his youth, an eccentric character was clearly manifested. He could easily, without saying a word to anyone, in the midst of the school year to go to his native Sverdlovsk to the bride Marina Sklyarova. But the teachers and his mentor Professor Joseph Raevsky did not rise to expel Sasha.

Raevsky only asked him at least not missing classes, which was taught acting. The theater after graduating from the theater university was invited to the Moscow Drama Theater named after Vladimir Mayakovsky. Here, Siberian worked for three years and, having quit, went to Leningrad, where he was busy in the filming of Lenfilm. What is equally important, the artist was given an apartment there.

In the middle of X, when the leader was replaced in the theater, Demyanenko had to leave. In the years, Alexander Sergeyevich went on stage of the St. Petersburg Theater "Shelter of the comedian", which is on a small sea. The theaters saw their favorite actor in the productions of Vladimir Square and Antigon. He excellently played two completely diverse heroes, as he was a brilliant dramatic actor.

But the theater on a small sea is small, there are not so many visitors in it, so few appreciated its work. Spectators and directors noticed the artist in this optimistic drama, which completed the Komsomol trilogy, begun “anxious youth” and “Pavel Korchagin”. It was in the “wind” that the image of a modest and intelligent young man, capable of accomplishing a feat, was born. This image was already firmly entrenched in Alexander Sergeyevich.

In the year, the new film of Alova and Naumov “The Including” was released on the screens. The directors again called Alexander Demyanenko into this tape. He played Lieutenant Ivlev, a graduate of the school, who on the last day of the war received a responsible task - to deliver a pregnant German woman to the hospital. The picture was a huge success not only in the Soviet Union, but also abroad.

The tape was showered with prizes, including several at competitions in Brussels and Venice. Two more paintings, following the drama "The Enter World", secured Demyanenko in Soviet cinema. The lyrical comedy "Career of Dima Gorin" made him recognizable. The brilliant comedy “Adult Children”, in which Alexander Sergeyevich played in a duet with Lilia Aleshnikova, repeated success.

The artist’s career developed rapidly. He was recognized in the streets. In every kiosk Soyuz Printing, postcards with a photo of Alexander were sold.The famous Moscow director arrived in Leningrad for the "briefings" of Demyanenko. Indeed, in the capital, he rejected four dozen applicants for the role of the main character of his film according to the script “Faceless Stories”.

The type of unlucky young man Vladik Arykov, an intelligent bustling, always falling into curious situations, was required. In front of him stood a gloomy young man of medium height cm, who did not need to reincarnate - it was a ready Vladik. But in the process of filming, Vladik turned into Shurik. To achieve a complete hit in the image, the actor had to dye his hair.

The stylists, achieving a radical blond, burned out the resin hair to such an extent that blisters appeared on the skin. Later, the widow of the actor Lyudmila Akimovna recalled that the colors at that time were so merciless that it remained a mystery, as Demyanenko did not bald. Alexander Demyanenko woke up famous. Now no one called him differently, like a shurik.

He really did not play, but lived a role in this comedy. The artist did not resort to any acting tricks - he simply remained himself. He later admitted that this role was not associated for him either with the torment of creativity, or with the difficulties of reincarnation. Many film critics and biographers of Gaidai and Demyanenko claim that Shurik is actually a “assembly” image of a director and artist.

Both turned out to be in life like this charming hero: unconfigurated bespectacles, somewhat closed and taciturn, gloomy and joking without a shadow of a smile. Leonid Gaidai was covered with bags of letters with a request to continue the story of the charming Shurik. The director went to meet the wishes of the audience and after two years he shot the "Caucasian captive, or the new adventures of Shurik." Demyanenko reappeared in the role of a fan-scum beloved by millions.

The quarrel of the director and Morgunov put an end to creative cooperation. In the year, the audience saw a new movie masterpiece with the participation of Demyanenko. This is a brilliant comedy "Ivan Vasilievich changes the profession." She, like two comedies with Shurik, entered the gold fund of Soviet cinema. Later, the work at a time when the whole country was ready to carry a beloved artist in the hands, and the queues for tickets for his paintings were compared with a burst in the mausoleum on holidays, Demyanenko began problems associated with the back of fame.

He turned into a hostage of his Shurik. The directors did not want to work with Alexander Sergeyevich: the image of a ridiculous blond, as well as the reputation of the “Gaidaev” actor, stretched behind him. Demyanenko himself more than once complained that everyone remembers only this role, although she did not demand any effort from him. And no one recalls difficult and worthy work in other wonderful paintings-“My good dad” and “gloomy river”.

The artist admitted that the burden of his burden that became inevitable after Leonid Gaidai's comedies. They approached him on the street, clapped on the shoulder, turned to “you”. Alexander Sergeevich was forced to accept invitations to meetings with the audience, because they brought at least some income. At these meetings, he was poured about his personal, demanded frankness and “mental striptease”.

That is, exactly what was most converted to the artist. It got to the point that the actor almost did not offer new roles in the cinema, but at the same time he could not walk along the street calmly. And it annoyed him incredibly. Demyanenko went headlong into the displacement and dubbing of foreign paintings. In almost all Soviet films, Alexander Sergeyevich voiced Donatas Banionis.

He did not refuse to voice cartoons. Occasionally, Demyanenko offered interesting episodes or small roles in good paintings. So, he fell into the cast of the adventure film “Green Van”, in which Dmitry Kharatyan and Borislav Brondukov also played. In total, the filmography of Alexander Demyanenko has more than a hundred films. But, it seems, this reward seemed to have down the line under his creative biography.

He still went to theatrical stage and voiced foreign films, but already understood that his career, like life, was approaching sunset. The couple met in Sverdlovsk, in the drama circle. From the side, their personal life seemed cloudless. The couple often walked, holding hands, understood each other at a glance. They had no children.