Bestaeva Tatyana Biography

Interesting facts biography of the star and sex symbol of Soviet cinema Tatyana Bestayeva, who broke the hearts of men, lived in a happy marriage. The actress played with the masters of the stage, was friends and competed with outstanding contemporaries. The artist skillfully spectacularly submit herself and make a splash at any socialite, while she completely surrendered to personal relations and could sacrifice many for the sake of loved ones.

Tatyana Bestaeva, the daughter of one of the founders of the Caucasian cinema, Lado of Gerasimovich Bestaev, who became famous for the performance of the roles of proud dzhigits. Less is known about the mother of the actress, but, according to her, the aunts on the maternal line played in the theater. Tatyana Vladimirovna was born in the year in the capital of South Ossetia, which was part of the Georgian Republic, but spent his whole life in Moscow.

Parents divorced when the girl was 13 years old. Tanya studied poorly, and her father repeatedly had to settle conflicts with teachers, and the girl at the working youth school, which is shown in the film “Big Change”, completed secondary education. Her classmates were future stars Leonid Kuravlev and Sofiko Chiaureli. Films to Bestaev as a cinematic actress were opened by the director Isidor Annensky, in whose films many future stars, for example, Irina Miroshnichenko and Vitaly Solomin, debuted.

In the uncomplicated lyrical comedy about the sailor from the Black Sea Port City, two characters are in love with the heroine of Bestaeva - a sailor Tchaikin and an official from the culture of Vadim. This is a paradise in the picture of Sergei Parajanov “Shadows of Forgotten Ancestors” - the best, according to Emir Kusturitsa, the film of all times and peoples.

The tape is unique in many respects. It was released on the Hutsul dialect without dubbing, only with a translation, since the director wanted to bring the art narrative to reality as close as possible. To participate in mass scenes, local residents in authentic costumes, a village molfar sorcerer, professional posters were invited. Despite the international success, only 8 million spectators looked in the USSR in the USSR, and critics expressed dissatisfaction in devastating articles.

The film, which can be considered to be arthausna today, was ahead of the time. The other work of Bestaeva in the tape, today more reminiscent of postmodern cinema, was the role of a Frenchwoman in the comedy "Seven Old Men and one Girl." But, according to the memoirs of Yuri Vladimirovich himself, the actors perceived themselves in the narrative as a “foreign body”. The love story was shot at the film studio.

Dovzhenko got into international rental. Theater filmography of Bestaeva is not very great. Since the xs, Tatyana Vladimirovna became mainly theater actress. She made her debut in the stage of stage, but soon moved to the Mossovet Theater, on the stage of which she happened to play with the legends of the Soviet stage by Rostislav Plyatt and Faina Ranevskaya, inimitable love of Orlova and peers, who later became famous: Leonid Markov, Ia Savvina, Margarita Terekhova.

And in his youth, the actress was fired for six months from the theater for a repeated breakdown of the play “Cricket”. Tatyana Vladimirovna considered Joseph Kobzon the culprit of the event, because of the romantic night with whom she was late for the performance in the boarding house near Moscow. Personal life during training in the forge of cinematographic personnel, the girl made friends with Lyudmila Gurchenko.

They turned out to be much in common: bright appearance, the ability to dress with taste, ambitiousness and living in difficult conditions Gurchenko lived in a hostel, and Bestaeva in a communal apartment. Nevertheless, the personal life of the artists developed in such a way that they seemed to change men. However, Tatyana’s first lover - the future director of the film “Girls” Yuri Chulyukin, whose pregnancy she interrupted - did not marry Lusa’s girlfriend, but with another cinematic beauty - Natalia Kustinskaya.

In her youth, Bestaeva managed to compete with Svetlana Druzhinina - the future statesman Alexander Vladislavlev, who studied for the director, looked after both girls. The first husband of Bestaeva was a student of the director's faculty, the son of the Soviet filmmaker Alexei Gabrilovich. Family quarrels turned on by bruises on Tatyana's face, and a young woman, breaking pregnancy, ended her marriage.

The ex-springs retained friendly relations, the director shared the details of new novels with his ex-wife, and in the middle of X took off Bestaev in the tape of “Broadway of our youth”. The second time, the actress married the Bayanist and the head of the orchestra of folk instruments Yevgeny Stolyarov. The marriage was short. According to the memoirs of Bestaeva, her wife was associated with personal relations with Gurchenko, about which Tatyana found out after the divorce.

The musician died tragically - crashed, breaking off the seventh floor.

This happened after parting with the actress. Lyudmila Markovna’s friend believed that his memory and the sequence of events were different.Joseph Davydovich first divorced Lyudmila, and then twisted an affair with Tatyana, who had already parted with two husbands. In addition, the close friendship of actresses ended a couple of years before Flirt Bestaeva with the singer.

But the French actor was not in the taste of the actress, and she refused. Tatyana Vladimirovna made married happiness married with Kirill Odoevsky, but after 20 years the third husband died as a result of an oncological disease. The star did not have children. The death that Tatyana Vladimirovna has serious health problems became known in the year. Her colleague in the performance Olga Cabo told the press that the production of “Morality of Mrs.

Dulskaya”, in which Bestaeva participated, had to be canceled. Since then, the actress did not go on stage, independently struggling with the disease. However, in the year her condition worsened greatly. Close friends and colleagues supported the actress in a difficult life situation, constantly in touch with the attending doctors. The cause of death was the consequences of the disease.

Farewell to the artist took place at the Mossovet State Academic Theater, in which she served all her life.