The first biography of the series

The last work of Shukshin a few years later was published as a story called “Whales, or about how we joined art”. Shukshin took the height on the first attempt that, of course, one cannot but regard the miracle, but we must immediately clarify one thing: he did everything to take place, and in general his whole life, starting from demobilization, is an example of an incredibly accurate strategy of a person who ...

believes that only glory will save him, and strives for success with the inevitability of the spawning of glossy. He was shy about his village dialect, knowledge gaps. He wrote to his mother: “Learning no matter how it speaks there, but it’s still difficult. I have a decent in my studies. But I won’t leave the other. Here are the exams soon. I think that there will be only excellent grades.

” Shukshin hid information about the repressed father, in all profiles he pointed out his mother and his stepfather who died in the Great Patriotic War. However, in the year, when the writer studied in the second year, his father was rehabilitated. The student of the workshop of Rommy Alexander Gordon Shukshin said: “I was ashamed of my father all my life, but it turned out that he was not to blame for anything.

How can I live now with my guilt before him? Initially, Shukshin was an assistant to the director - he conducted samples, selected documentary materials on which they made up the script, controlled the make -up artists and costumers. However, soon Khutsiev invited him to play the main role in the picture: "Because he felt an individual, which was expressed by a face, and voice, and gesture." The actor approached the filming responsibly: he did not leave his responsibilities as an assistant and attended even at those rehearsals in which his hero was not involved.

The film was released in the year. Shukshin almost missed the premiere. Due to the “disagreements with the police” they did not want to let him out of the site where he often found himself because of his fights. Marlene Khutsiev stood up for Shukshin: he persuaded the policemen to release the main role. After the writer’s premieres, they began to call in the cinema - critics and colleagues wrote about the “marginal naturalness” of his game, the ability to get used to the role.

In the next few years, the writer starred a lot. He played in the films “Golden Echelon”, “Simple History”, “Alenka” and others. Mikhail Romm advised the writer to contact the editorial office. In the year, the story “Two on a cart” was printed in the “shift”, and a little later - the works “Pravda”, “Exam”, “Stepkina Love”. In the year, Shukshin passed the final exams, but did not receive a diploma.

As a student of the director's faculty, he had to create his own film. The writer did not even start - after all, he constantly starred. And only in the year began to write a script for the picture about the work of the rural district committee. Shukshin believed that none of the students of VGIK knew the village life as well as him. In his thesis, entitled “From the Lebyazh,” the writer was the director, screenwriter and leading actor.

At the exam for this film, Shukshin received perfectly, but the tape did not go out. He wrote: “I was exposed: I do not buy a picture. They say: people are nothing, people are alive, but this is not a short story. There is not enough a bow with whom they are used to making a picture to the viewer. ” Vasily Shukshin’s films in the year Vasily Shukshin began work on his first professional film - the picture “Such a guy lives”.

The basis of the plot was his stories “Cool driver”, “Kolenchy shafts” and “Grinka Malyugin”. Mother Shukshin wrote: “He began to work as a film director - I shoot the film according to his own scenario. The tape was released in the year. In the USSR, 27 million spectators looked at it, and at the Venice festival the painting “Lives such a guy” received a prize as the best film for children.

After the success of the first film, Shukshin wrote a script for the second - the painting "Your Son and Brother." The basis of the writer again became the basis, this time from the book “Rural Residents”. In the film, Shukshin decided to show the "world of intelligentsia" through the eyes of a man from the village. In the magazine "October" the tape was called too simple and superficial.

I did not want to go out to the viewer with the film, which is all in matters, like a pretty head in curlers. In the end, these pieces of iron will be removed from the head, and they will become curls; The cake film released from the studio will go for a walk along the screens. I do not believe that the artist consciously set out the goal of being incomprehensible.

For someone, yes he works. Vasily Shukshin, the article “Questions to himself” after that Shukshin almost stopped acting and began to write a script for the film epic about the uprising of Stenka Razin. He wrote in his feedback to Shukshin: “Shukshin’s script is primarily a masterful work of a great thought and a great power of emotional influence. Let the plan of V.

Shukshin come true in the movie as soon as possible. ” The script for the two-part historical picture “I came to give you will” the guild of film-cinemas recognized the best in the year, but the writer did not receive permits for shooting from the Council of Cinematography of the Council of Ministers of the USSR due to the high cost of production of the film.For his third film, “Strange People,” the writer again processed several of his stories, including “Mile Sorry, Madame!

Shukshin divided the picture into three parts, each of which spoke about the new hero - a village resident. The film was ready by the beginning, but it was released only a year later. All this time, the editing took it - after censorship from the tape, part of the episodes was cut out. She failed at the box office, and critics wrote negative reviews on her. The film watched poorly, even left.

You can't work like that. This is squealing ... I sat in the auditorium and was executed. I, more than ever, acutely felt that the audience experience is a great thing. I neglected them - and the conversation with the viewer did not work. Turn out inside out, tied up with a knot, but do not scream in an empty hall. Good, sincere, human words should also rattle.

In the year, Shukshin shot his fourth film-a comedy about the journey of a married couple “Grazchka stove”. The writer again created the script of the picture. At the film studio to them. Several episodes were cut out of the films: the leadership of the film studio demanded to remove drunkenness from the tape. Shukshin wrote about this in Goskino: “I really ask you to leave the prologue of a dancing person on the road.

I will remove his glass from his head - and the impression that he was drunk will disappear. But there will be a comic singing of the film ... I, I see, do not hold on to what you can do without prejudice to the film, but this cannot be removed. " They did not listen to the director. Despite this, reviews of the tape were positive. Shukshin criticized only in the small homeland.

The Altai Pravda newspaper wrote: “Some Patriarchate suddenly begins to hang from the screen, and Shukshin does not notice this, as if even defending the imaginary purity and charm of supposedly condoing village morality ... Knowing our rural residents well, we can safely say: they are not the same“ village ”now, as Shukshin showed them.” In the year, the first collection of the writer - “Rural Residents” was published in the publishing house “Young Guard”, and a few months later in the magazine “New World” published the stories “Grinka Malyugin” and “Red Driver”.

When I [Shukshina. Before meeting with Shukshin, I did not even imagine that the actor could be such a shy person. But he was somehow delighted for an instant, nodded his head, smiled, and then seemed to forget about his joy. Asya Berszer, editor of the New World magazine is quoted by the book of Alexei Varlamov “Shukshin”, the series “Life of wonderful people” over several years of cooperation with the “New World” Shukshin published seven collections of stories in it, which included the works “Wolves”, “Chudik”, “Maternal Heart” and others.

Despite this, criticism almost did not react to the writer's work. The literary critic of Edward Kuzmin noted the “strong foundation” of his characters and “vital flair, vigilance, plasticity” of prose. In the year, the “New World” refused to publish the novel by the writer “Lyubavina” due to a large volume and a difficult topic-the book talked about the years of the Civil War.

The first part of the work was released in the journal Siberian Lights, and a few months later it was printed in a separate book. The Lyubavins were based on family legends and stories of old -timers of the villages of the Histles about the years of the Civil War and collectivization. At the end of X, Shukshin wrote the second part of the book, but her manuscript was discovered and published only after the death of the writer.

The script of the film about the uprising of Stepan Razin Shukshin used as the basis of the future novel. He completed the work in the year - to the years of the Razinsky uprising, but they printed it in the year, in the magazine "Siberian Lights". The Shukshin talent and his ability to organically fuse three main genus literature - an epic, lyrics and drama were powerfully manifested in it; It was an innovative novel, brave, of course one of the most significant novels of Russian literature of the second half of the 20th century, with amazing characters, persons, incredible tension, with the deepest historical context, personal suffering, Russian pain, Russian faith, Russian rebellion.

Nevertheless, and possibly just in view of all this, the editorial board of the "New World" rejected it. He spoke in an interview with the Literary Newspaper after the premiere of the play: “It seemed to me that the theater was less flexible, more bulky than cinema, some kind of clumsy art, but it turned out to have packed forward and was already digging in matters that kinematographer had not yet reaminated.” However, the play was considered failure.

They met at school, corresponded for several years, and signed in the year. However, the marriage did not work out: Shumskaya did not go for Shukshin to Moscow, but remained in the races. The writer’s mother recalled: “I was pleased with the Vasin choice, especially since the parents of Marusi were people respected in the village. But Vasya left for Moscow shortly after the wedding, and there you see what people?

Especially the artist. That's all, he did not return to her. " In the year, the writer asked Shumskaya’s divorce, but received a refusal.