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Try the literature selection service. You can always turn off the advertisement. Zajtsev The Article Explores Genre Specificity of B. The Most Significant Features of a Genre Are Are ARE AREDARIS, PSYCHOLOGICAL ANALYSIS, ARTISTRY DESCRIPTIONS, ARTISTRY Mythological Impled Sense. In the Biographies of the Writers the Author EmphaSized Influence of the Subconscious Parties OFT CREATIVITY and GAVE Original Treatment of A Create Way Of Each Writer.

The text of the scientific work on the topic “The genre of fictionalized biography in the literature of the Russian abroad of B. Safran G. Evangelical subtext and the Jewish theme in the“ Vladychny ”N. Intercessor Bible, or commentary on all books of the Holy Scriptures of the Old and New Testaments with illustrations: in 12 volumes of Turgenev I. Fet A. Works and letters: in 20 volumes The genre of fictionalized biography in the literature of the Russian abroad of B.

Zaitsev in the article described the genre specifics of B.'s fictionalized biographies of the genre: documentary basis, psychologism, artistry, the presence of descriptions, mythopoietic subtext. Zaitsev divided the biography into “external” and “internal” and showed a predominant interest in the emotional world and religious moods of man. In the biographies of writers, the author emphasized the influence of the subconscious aspects of the person on creativity and gave the original interpretation of the creative path of every writer.

The Article Explores Genre Specificity of B. Zajtsev Divided a Biography on "External" Internet "and Showed Primary Interest to the Emotional World and Religious Moods of a Person. Key words: B. Zaitsev, fictional biography, genre. Biographies existed in ancient literature, but the emergence of the genre of “fictionalized” or “novelized” biography is usually associated with the work of L.

Streichi and A. The new biography in the terminology of A. Morois - “Biografie Romancee” distinguishes interest in the private life of the outstanding persons of Alla Vitalievna, candidate of philological sciences, candidate of philological sciences, candidate of philological sciences, candidate of philological sciences, candidate Associate Professor, Leningrad State University named after A.

Genre Bellytri-Renean biography, has spread widely in European literature of the 20th century. Berberova, B. Zaitsev, M. Tsetlin, V. Khodasevich and others. In the Soviet literary criticism, the separation of the genres of the “historical and biographical novel” applied fiction to create generalized-typical images and nominated the image of the historical and cultural era and the “white -ized biography”, in the center of which the private life of an individual, his individual psychology [8:].

At the same time, the “socio-historical chronicle” was valued above, and “narrow biogra-philism” was considered a lack of a number of works of the works of Pushkin, Lermontov, Gogol [6:]. The first attempt to give a scientific understanding of the biographical genre in Soviet literary science was the book of Vinokur “Biography and Culture” by the author of the study aimed at prove that the biography is not empirical experience, but the theory that the study of human personal life is no less significant than other forms of cultural life: art, science, philosophy.

Vinokur emphasized that the concept of “personal life” is not identical to the concept of “personality”. Personal life is “this is not psychology or physiology, not the sphere of subconscious representations or a biological constitution, but only that unity, inextricable and always present in which all this mishmash of observations, facts and guesses along with all other possible are given to us in history” [2:].

This means that personal life as a subject of research and its biography studying it is within the framework of the Isto-w n n rii and historical science. In such a formulation of the question there is an element of polemics in relation to the predecessors. For example, the author of the popular biography of Pushkin P. Schegorelev shared the "actual history of external events" and "the history of the innermost movements of the soul, its life." According to G.

Vinokur, the biography is one and is the “external expression of the internal” [2: 26]. The writers of the Russian abroad emphasized their orientation on the Western European tradition and showed a priority interest in the private life of a person and his inner appearance. For example, N. Berberov directly declared their following artistic discoveries L. Critics of emigration noted a new approach to the image of a person in fictionalized biographies.

Khodasevich in the review of Berberova’s book “Tchaikovsky” wrote that earlier the “author’s impersonal” was considered a “sign of the commendable“ objectivity ”,” and the standard was an official biography, “in which the hero is in front of a ceremonial uniform, as if a high official of the Apollon of the Department, deprived of any thoughts, except for art, and about any feelings except the most elevated ”[12].

Ceten noted that the biography ceased to be “science -like” and becomes “artistic” [13], vol.Nazarova suggested replacing the definition of “fiction” in the definition of the genre in the definition of the genre, since the word “fiction” and derivatives from it are often associated with lightweight, entertainment literature [9]. The definition of “artistic biography”, in relation to the best examples of this genre, is designed to emphasize not so much the entertainment of the narrative as its high artistic level.

In modern literary science, both variants of the genre definition coexist on equal terms. The artography of A. Shilyaeva is devoted to the artistic biography in the literature of emigration, who described the mandatory features of this genre based on the theoretical development of A. Morois. According to the researcher, a fictional biography pursues not only cognitive, but also aesthetic goals; It should include documents, and the biographer requires objectivity in their selection and interpretation; The biography does not allow fiction, but gives the right to the personal vision of the hero by the writer.

The image of the hero is recreated by the gradual disclosure of his psychological appearance and tracing his spiritual development, which is facilitated by the chronological order of the presentation of events. The biography can conclude a moral lesson, this feature is inherited by it from hagiographic literature []. The question of the ratio of artistic biography with life is logical.

The main difference between the life and the biography lies in the field of human image: if the biography reveals the formation and development of personality in its interaction with the outside world, then there can be no movement, growth, and the formation of character in life, since the hero is distinguished by the initial “speculation”. The image of the hero in life is conventionally, in modern biography - psychologism.

Some of the best examples of artistic biography were created by B. The first experience of the writer in this genre was his book “Rev. Sergius of Radonezh”, written by the Paris publishing house Ymca-Press, which released a series of books about Russian saints and figures of the Church. In the works of Zaitsev published in this series, V. Ilyin about Seraphim Sarovsky, N. Klepinin about Alexander Nevsky, G.

Fedotov about the Metropolitan of the Moscow Philip, a new type of “modern life” was created, in which a living human personality has been advanced, the “human factor” in the historical process was studied. And if the work of Fedotov is distinguished by a priority interest in the issues of history, Ilyin is religion, then the book of Zaitsev about the Monk Sergius was perceived as artistic and psychological primarily [].

Based on life and annalistic certificates, and to a greater extent on scientific sources in particular, the study of the historian of the church prof. Golubinsky, Zaitsev created a work as part of the aesthetics of the New Age. This manifested itself in a number of features, fundamentally distinguishing the hats of life from the ancient Russian life.

Firstly, psychologism created by Zaitsev is inherent in the image of the protagonist. Secondly, the author sought to reliably recreate the specifics of the departed era: household background, typical details. Thirdly, miracles are described and understood not as a real fact, but as the content of legend, traditions. Another variety is represented in the work of Zaitsev by biographies of Russian writers of the XIX century.

In the extensive building of the works, including the critical reviews and scientific works of the abroad of N. Andreev, P. Bitsilly, L. Rzhevsky, F. Stepun, G. Struve, A. Shilyaeva and others. Zhukova, N. Zavgorodny, O. Kashpur, L. Nazarova and others. Already the first reviewers noticed that Zaitsev turned to the life and work of the writers of Pushkin's lines, to which he himself belonged.

All three writers in the interpretation of the author acquire the features inherent in the heroes of the artistic works of Zaitsev: they are characterized by “internal coolness”, “mental dysfunction”, “non -me”, they are lonely wanderers and contemplators. Typologically, biographies created by Zaitsev can be characterized as “artistic and psychological”, in contrast to scientific and historiographical biographies or using fiction of biographical novels.

In the works of Zaitsev, the typical features of the fictional biography genre showed, first of all, the lack of fiction and emphasis on the “internal” life of the hero; Formal signs of biography are also observed: an image of a person’s life from birth to death, building a story on a chronic principle, compositional division on the chapter in accordance with the main periods of the hero’s life.

Zaitsev used in biographies the method of “reconstruction” of the image based on the document L. Shilyaev analyzed the methods of using documentary sources and described the poetry of Zaitsev’s books as impressionistic. All literary critics noted that the main task of Zaitsev in artistic biographies of writers was the study of the spiritual world of personality.The heroes of biographies are depicted against the background of a social environment and “history”, but Zaitsev divides the being of a person into “external” events and the “internal” growth of the soul and prefers the study of the latter.

In the mental world of the author’s personality, the most hidden, unconscious “night” side of the soul is interested in, therefore, three main topics dominate in biographies: the life of the heart, obvious or hidden religious moods, the subconscious foundations of creativity.