Ippolitov Arkady Biography

Arkady Ippolitov - Biography, News, Personal Life Age: 66 From the birthday of death: 65 years in the sphere of scientific interests of Arkady Ippolitov, Italian art of the XV -XVII centuries, Mannerism, ancient and Christian iconography, foreign art of the 20th century, the history of world cinema. Since the year, he was known as the curator of exhibitions of classical and contemporary art in Russia and abroad.

The author of more than six hundred scientific and critical publications Arkady Viktorovich Ippolitov. Born on March 26 in Leningrad - died on November 5 in St. Petersburg. Soviet and Russian art critic, curator of exhibitions, writer. Arkady Ippolitov was born on March 26 in Leningrad now St. Petersburg. In the fifth grade of the school, he began to go to a circle to the state Hermitage, thanks to which he received a pass to visit the museum without a queue.

According to Ippolitov’s own words, he decided at the age of fourteen that he would be engaged in Italian mannerism. At the age of seventeen, I read the book “To the Country of the German” by Marseille Proust, and during service in the army “under the canopy of girls in color”. It was these two works, according to him, became the main literary experiences. He graduated from the Faculty of History of Leningrad University in the Department of History of Arts.

Ippolitov wrote the thesis by the art critic, Spanist Elena Olegovna Vaganova. He entitled the work "Iconography of the Golden Age in the era of mannerism." However, according to the Scientific Council, “mannerism” was too “anti -Classical”, and the topic had to be renamed the “Italian art of the 16th century”. He was one of Vaganova's favorite students and went to art seminars with her, speaking with his own reports.

Vaganova noted with Ippolitov "Talent and gift of artistic vision." In the year he went to work in the Hermitage library, where he worked for almost ten years. He moved to the department of Western European art, was later appointed keeper of the Italian engraving office. In x - a member of the board of the Institute Pro Arte, from the GG. In X taught the history of art at the European University in St.

Petersburg. Ippolitov is the author of numerous stories and essays, was a constant author of the Culture section in Kommersant, published in the Russian Telegraph newspapers, in the magazines Pinakotek, A thing, Russian Life, Snob, and created a number of articles for the publication “The latest history of Russian cinema. For the novel, the “City in the Porcelain Snufflery” received the Grand Prix of the Literary Competition “My Petersburg”, dedicated to the Flight of St.

Petersburg. The first volume of Ippolitov was called "especially Lombardy" and was dedicated to the same region of Italy. In m, he released the second book of the series - “Only Venice”, and in M ​​- the third volume, “only Rome”. Each of the books was highly appreciated by critics and art historians as “an amazing work outside the genre frames”, filled with metaphors, unexpected parallels, written by an exquisite syllable and complete deep and independent judgments about art.

Ippolitov also worked as a designer of books: he selected illustrations for the collections of Maria Stepanova, “Spring of the Middle Ages” and “Podchka Books” by Alexander Timofeevsky, designed musical albums Leonid Testnikov. Former General Director of the State Tretyakov Gallery of Zelfir Tregulov spoke highly of Hippolytov as a curator: “I have repeatedly had the opportunity to make sure that any exhibition that he is working on is a smart, intellectual and at the same time very clearly expressed project.

I appreciate this type of curatorial work the most: people who are not very well versed in the topic still read the message of the authors on how the exhibition is formed, and intellectuals simply bathe in subtle comparisons, comparisons and shades of meanings. ” In the year, Ippolitov became the coordinator of the Hermitage-Guggenhaim project. His most famous exhibition project of this time is “Robert Meppletorp and the classical tradition: photographs and engravings of mannerism”.

In the year, Ippolits at the invitation of Zelfira Tregulova became the curator of the Russian Palladianism exhibition.

The project was dedicated to the "Year of Tourism of Italy-Russia." The exhibition was held from September to November at the Correr Museum in Venice. The exposition took 11 halls, in the exhibition catalog, the works of 51 author out of 22 different meetings were presented. In Ippolitov, he became a curator of the “Vatican project” launched together with Italy, designed to emphasize the connection of two cultures that took place back in the 16th century.

Initially, it was supposed to create one joint exhibition called "Rafael and Ivanov", comparing the work of the most important artists for their countries. As a result, it was decided to divide the project into two exhibitions. The first was "Roma aeterna. Pinacotics of the Vatican. Bellini, Rafael, Caravaggio ”in the State Tretyakov Gallery. The Latin Roma Aeterna in the name emphasized the importance of the eternal city for world culture and referred to the idea of ​​the continuity of Moscow as a “third Rome”.The exhibition had an unprecedented scale in terms of the number of significant work for the Pinakotex, which it was decided to send to Russia.

Among the works of Gothic masters, extremely few in Russian meetings, “Jesus in front of Pilate” Pietro Lorenzetti and two limbs, telling stories from the life of Nikolai the Wonderworker were shown. Two years later, the second exhibition of the project took place - “Russian path. From Dionysius to Malevich ”in the Vatican Pellegrinaggio Della Pittura Russia. The exhibition was exhibited in the colonnade of the Basilica of St.

Peter. The space of the Gallery of Bernini naturally “forms a certain way”, the symbolic pilgrimage of the viewer after 56 masterpieces in the pyativk history of Russian art. The concept of the exhibition was called “unprecedented and bold”, since the selected works did not contrast secular and religious, did not demonstrate a formal chronological connection, but designated the spiritual search for artists and the deep internal continuity of art.

For the exposition there were selected works, each of which "printed in consciousness as a matrix of national identity." Icons and the main paintings were compared on the principle of analogies: “The appearance of Christ the people” Alexander Ivanov was a variant from the Russian Museum near the icons of the 15th century “Baptism” and “Transfiguration”. Yaroshenko is adjacent to the icon of the Kikk Mother of God Simon Ushakov.

A special place was occupied by Andrei Rublev, presented by the Paisius list. The grand opening took place in November, and on November 27, the Pope Francis visited the exhibition. According to the curator, the exhibition did not end with a work of contemporary art, but an icon “rejoices about you”, which embodies the spirit of Russian collegiality, meaning the spiritual unity of the whole people in the church and worldly life, and thereby the exhibition did not put a chronological point, but left an open temporary border.

He died on November 5 in St. Petersburg. Were married in years. They were married in years. In the second marriage, the son of Danil Ippolitov was born, he is the world champion of the year in beach football as part of the Russian national team, a graduate of the State University of Cinema and Television, the production workshop of Sergei Selvanov. In the year, Danila finished his sports career.

He works as a producer of the company "Wednesday". Avdotya Smirnov and Danila Hippolyts Filmography of Arkady Ippolitov: “Artist from the outside and from the inside” according to the book of the same name - the performance of Dmitry Volkostralov and Dmitry Renansky, “Theater of Post” Books of Arkady Ippolitov: - a city in porcelain snuffbox; - Robert Meppletorp and the classical tradition together with Jermano Chelant; - Venice and Venetian life in an engraving of the 18th century together with L.

Dukelskaya; - Parmidzhanino for centuries and arts; - Hogart, Hokni and Stravinsky. Dyas adventures; - Timur Novikov; - Palaces, ruins and prison. Giovanni Battista Piranesi and Italian architectural fantasies of the 18th century; - New Academy. Saint Petersburg; - Especially the pawnshop. Damned Tuscans; - Roma aeterna; - The silhouettes of the theater past. Vsevolozhskoy and his time together with Olga Barkovets; - Abs, ladies, valetes.

Courtyard and theater in caricatures of I. Vsevolzhsky; - Jacopo and pontammo. Artist from the outside and from the inside; - summer garden as an image of modern Russia; - Just Rome.