Biography of George Vasiliev

Vinnitsa Ukraine. He graduated from the theater school. Shchepkina, acting department. In the year he entered the highest directorial courses to Anatoly Vasiliev. The directorial debut of Georgy Vasiliev was his production of the play “51 rubles” based on the play by Alexander Zheleztsov in the drama theater “on Lidein”. Since then, the speeches of Georgy Vasiliev in the acting “role” became relatively infrequent, while his creative interests included the production of Russian classics mainly prose in his own staging or in co -authorship and modern drama.

Georgy Vasiliev puts performances at different St. Petersburg theater venues, in different cities. Upon returning to Russia, he again turned to Erofeev’s poem, putting a performance in St. Petersburg in St. Petersburg based on the play by Alexander Obraztsov “On Cable Work in the fall of the year”, where he himself played a major role. Later, after the death of two actresses playing in the play, Olga Eliseeva and Barbara Shabalina, a new version of the performance in the production of G.

Vasiliev and Andrei Krasko appeared in the title role. In the beginning of the X, two performances in the production of Georgy Vasiliev - “Notes by Aksentiy Ivanovich Poprishchina” and “Old Soviet landowners” - were successfully shown at the France International Theater Festival in Avignon. The performance “Old Founders” traveled many countries: Latvia, Estonia, Lithuania, France, Germany, Czech Republic, Turkey, Belarus, visited Moscow at the Russian Drama festival, in Vladimir, in many provincial cities of Russia.

For more than three decades of creative activity, Georgy Vasiliev staged dozens of performances, played many roles. The last work of the director was the performance at the Borisoglebsk Drama Theater named after N. Chernyshevsky according to the unfinished science fiction novel by M. Lermontov “Shtoss”. For several years, since the year, he worked at the A. Griboedov’s Tbilisi Russian Drama Theater - he came to Georgia among young graduates of Moscow theater universities invited by Giga Lordidkipanidze.

The plays played: the shadow of the “shadow” E. something was in him, at that time an unfamiliar actor, such that it was remembered forever. The infernal, perhaps, is the most accurate definition, then the unimportant ...

”E. This actor, who made a good career in St. Petersburg in the future, left a good memory of himself in Tbilisi. The role of the shadow, solved by plastic means, brought him great success. Then this will help him at the court, where he masters the basics of lackey at the Majordom, finds a common language with ministers, becomes an official in particularly important matters, and now he leads the intrigue, retreating or threatening, joining the blocks, deceives a gullible scientist, plays the suspicion of the princess and becomes her groom.

He is almost a king, he no longer needs to brate and turn out, now let others repent before him. He sits, unnaturally straight, triumphing the victory, but internally uncertain, and the first thing that does as the future ruler tries to humiliate the scientist, make him be his shadow, crawl at his feet, repeat the movements of Tbilisi,, p.