Natalia Glukhova biography

Born on March 5, Kuibyshev now graduated from the Kuibyshev Musical School, the Kuibyshev State Institute of Culture, the Faculty of Church Conducting, worked as an inspector for educational institutions of the art department of the regional department of culture, deputy director for concert work and director of the Samara State Philharmonic with GG. The years of work in the Samara Philharmonic, led by N.

Glukhovo, were accommodated by many significant events that influenced the formation of the level of musical, aesthetic and spiritual values ​​among the population. This was facilitated by the annual international festivals of classical and modern music initiated by her; author's evenings of modern domestic and Samara composers; "Fair of Subscriptions" of new concert seasons, which are few analogues in our country.

The performance on the stage of the Philharmonic of leading musicians and masters of theatrical art, art groups and world stars, the opening of new performing names, increased attention to their own soloists and collectives - created a stable reputation to our city, as an actively developing center of musical culture of the region. This was largely facilitated by the high professionalism and authority of N.

Glukhova among famous performers, which was the key to the successful organization of their tour.

In March, N. Glukhova was appointed to the post of chief artistic director, and from January 1 - General Director of the Samara Academic Opera and Ballet Theater. Glukhova came to the leadership of the time difficult for the theater - after the end of the main stage of reconstruction, the need arose to expand and replenish the repertoire, quickly returning opera and ballet performances to a new scene.

In the shortest possible time, she managed to update creative groups and technical workshops, unite like -minded people around her, and strengthen the leadership of the theater. One of the leading conductors of the country of Maestro A. Anisimov, the main director - M. Panjavidze, the main artist - E., were hired by young and promising conductors - E. Khokhlov, G.

St. Petersburg, A., was invited to the posts of the chief conductor and musical director. G. Shameyev, thanks to the professional approach and creative intuition of N. Glukhova, on the stage of the Samara Academic Opera and Ballet Theater, performances were performed, which received a wide public resonance. Among them: Boris Godunov operas M. M. M. Gorzorsky, “Traviat”, “Aida” by D.

Puchchini, “Tale of King Saltan”, “Snegurochka” by N. Rimsky-Korsakov, “Seville Barber” J. Rossini, Evgeny Onegin P. Tchaikovsky, ballets “Swan Ozero”, “Sleeping Beauty,” The “Nutcracker” by P. Tchaikovsky, “Anyuta” to the music of V. Gavrilin, “Chopenian”, “Tango Piazzolla,“ Romeo and Juliet ”by S. Prokofiev,“ Bayaderek ”by L. Minkus,“ Lady Peak ”A. Tchaikovsky,“ Corsair ”by A.

Adan, operetta“ Bat Mouse ”I. Strauza,“ Silva ”I. The production of premiere performances involved outstanding masters of domestic and foreign art: directors - Yu. Aleksandrov, N. Chusov, V. Petrov, D. Vasiliev, G. Komleva, V. Medvedev, theater artists - V. Okunev, P. Kaplevich, Yu. Cooper, V. Volsky, A. Vasiliev and others under the leadership of N. Glukhova, the festival movement develops wider.

Every year, the spring festival of opera art with the participation of the stars of the world opera stage, the A. Shelest classic ballet festival, popular with the Samara public, international opera festival of the XXI century, are held. The music festival “Mstislav Rostropovich” and the Moscow Easter festival with the participation of the Mariinsky Theater orchestra, under the leadership of the Maestro V., were continuing its good tradition, the unique musical festival “The Stars of the Mariinsky Theater in Samara” became one of the last creative conquests of the theater.

Its organization and conduct became possible thanks to the signing of an agreement on long-term cooperation between the Government of the Samara Region represented by Governor N. Merkushkin and the Mariinsky Theater, represented by the art director of V. Glukhova, international creative contacts of the theater are intensively developing. The A. Shelest classic ballet festival is included in the European Association of Festivals.

Significant development is received by the material and technical base of the theater. By the beginning of G., their presence in the theater creates the conditions for the productions of chamber operas, experiments in the field of repertoire strategy - from ancient operas and Madrigal comedies to the works of modern authors. In this regard, a constant search for new forms of working with the viewer is also underway, the level of their musical and artistic preferences is studied, which is an important argument when choosing a repertoire.

To equip a small scene in the city of enthusiasm, the ingenuity of the leader in the development of various stage spaces is another step towards the popularization of theatrical art, the education of future generations of lovers of the musical theater.The children's audience does not go unnoticed, namely, the theme of visits to the theater with the whole family is developing.

The traditional “Golden Key” repertoire of A. Rybnikov, “Bremen musicians” Gladkova, “Koshkin House” by P. Waldgardt, “Din-Don, I am your mother! Gladkova,“ Carlson, who lives on the roof of A. Semenov, “Snow White” and seven gnomes “B. Pavlovsky” Rimsky-Korsakov, the “Fairy of the Puppet” by J. Bayer, “Well, the wolf well done! Ulanovsky,“ Nutcracker ”by P.

Tchaikovsky, there is a search for new authors and works with a relevant focus on theatrical art, as synthetic art, which is one of the means of upbringing the child through the word, movement, the attitude to the world around him, which characterizes a truly cultural person who loves his fatherland. The latest computer technologies in the design of the performances have become a sure sign of the increased interest of children and their parents in the theater.

It devotes to the creative growth of the artists of the theater. The geography of the tourists of the theater is wide. Their routes are held in many cities of Russia and abroad, they perform on their own stage of the theater, at the concert venues of Samara and the province. In their creative arsenal, both opera and ballet parties, as well as solo programs, benefits and creative reports.

Natalya Stepanovna Glukhova is an unconditional leader of the theater and a creative person. First of all, it is distinguished by a careful attitude to the classical traditions of theatrical art, close attention to issues of the formation and development of the troupe, cooperation with outstanding worldwide figures - directors, choresters, artists, singers and dancers.

A clear, long -term planning of the repertoire, an effective marketing policy, a constant conversation with the audience from the pages of newspapers and on the air of various media become a tool in her hands that contributes to the further creative development of the Samara Academic Opera and Ballet Theater. That is why interest in his activity does not weaken, but increases from year to year, causing close attention from the musical and theater public and critics leading specialists of our country.

In the year, our theater entered the Association of Musical Theaters of Russia. Today, on the verge of its summer story, our scene rightfully occupies a worthy place among the oldest and recognized domestic theaters. This sees the merit of the entire creative team of the Samara Academic Opera and Ballet Theater and its current leader, Honored Worker of Culture of the Russian Federation N.

Glukhov, is part of the Board of Trustees of the Samara Regional Clinical Hospital of War Veterans.