Biography of Azerbaijani singer
Gulhar Gasanova from Shamkir: as a relative of the “enemy of the people” became the star of the opera scene K. Nasirova, any access to the stage requires evidence of talent and skill. Few can withstand this “endless exam”: some disappear from screens, newspaper and magazine pages, others remain in our memory forever. As for the Azerbaijani opera singer Gulhar Gasanova, then in the world there was no other thing to her so much as singing.
She trusted her secrets, feelings, thoughts, joy and sadness. Singing became her guiding star, a beating of the heart. The whole life of the singer, actress and teacher was associated with music. Life experience gained in the early period of its biography, natural talent and hard work, organic connection with folk musical traditions formed the original appearance of the actress.
Gasanova was born in the year in the village of Bayramli of the Shamkirsky district. All the children in the family were endowed with musical and poetic abilities, but the parents believed that the girl should follow in the footsteps of her mother and become a doctor. Her path to the stage ran through a medical technical school and a medical institute ... But she was kicked out of the institute as a relative of the “enemy of the people” Hamida Sultanov, who was executed with her wife, Aina Sultanova.
In this difficult period, G. Gasanova got a job at the famous female club named after A. Bayramov, where Jayran Bayramov, who formed the club in the x, was invited to work. Bayramov herself was also repressed in G. however, J. Bayramova contributed to the development of G. Hasanova as a singer. The young singer perfectly understood that professionalism was needed on the stage. She decided to seek help from the visible Azerbaijani Hangar, Zulfugar Adigzalov, with a request to teach her to fulfill the Mugs.
The choice was not accidental - Adigzalov was distinguished by the ability and ability to look for young talents and actively help them develop. Communication with such Handa played a large role in the formation of G. Gasanova as a musician. Gradually, step by step, she mastered with him the foundations of singing art. For the rest of her life, the actress remembered the feeling of the mig when she performed the first Mugam “Mirza Huseyn Segakh” she learned.
The actress told how once she asked Z. Adigzalova to teach her to Mugam “Shahnaz”. However, to her surprise, he refused and advised Gulhar to turn to Khan Shushinsky. Later, Gasanova, gratefully, recalled how much they gave her these years, the first practical steps on stage. A demanding person, she was not satisfied with the lessons of mugamic singing and studied at the Baku Theater College in the years, and graduated from Azerbaijani State University in the year.
Sadykhov and G. Gasanova A. Gasanova “Ashyg Garib” in the year of G. Gasanova received an invitation to the theater of a young spectator, which became the next stage of her creative path. Work in this team played its important role in the professional formation of G. Gasanova, since it was here that her talent is strong and was highly appreciated by ordinary listeners and specialists.
For several years of work in the theater, speaking in various performances, she was formed as a professional dramatic actress. Here she met her husband, subsequently the famous theater and film artist A. Much has changed in the life of G. Gasanova during the Second World War. Everywhere concert brigades and artists traveled to various fronts. Some vocalists of the Opera Theater reached the highest heyday.
But the joy of those years was mixed with a terrible grief who comprehended the actress in the early X. In the war, three brothers of Gasanova - Hamid, Nazim and Salim the Sultanovs died one after another. For a long time, she was looking for a younger brother, who was considered missing. Once, as part of a concert brigade, headed by Bul-Bul, G. Gasanov spoke to the soldiers of the Bryansko-Orlovsky Front, from where the last news of Salim came.
However, attempts to find him were unsuccessful. Only in the year, being on tour in Czechoslovakia, when the actress visited a fraternal monument dedicated to the victims of World War II, accidentally stumbled upon a grave with the inscription: "Salim Sultanov." The debut of the actress at the Opera Theater took place in the year of the party of Asly in the opera "Asley and Kerem" W.
The author himself was among the audience at the premiere. The warmth and feminine G. Gasanova sang the party of Asley, created a captivating and touching image of a suffering girl. Gasanova sympathized with her heroine, took her experiences seriously and easily performed mugamic episodes. The success of the actress was appreciated by the public and colleagues in the theater.
Soon G. Gasanova was offered a new role - the Arabzangs in the opera Shah Ismail M. Plok for the directorial choice of the People's Artist Azerbaijan S. Dadashev became not only the singer’s voice, but also the undoubted dramatic talent of the actress. Gasanova in the role of Asley "Asley and Kerem" of the Uz. Gadzhibekova G. Gasanova as Arabzang “Shah Ismail” M.
Magomaeva, starting to rehearse Arabzangs, G. Gasanova knew that this role would become a new exam for her but to stage and vocal skills.But in the process of preparing the performance, all fears were forgotten-she really got used to the role of the heroine. As a result, she managed to create at the same time a decisive and very feminine image of a warrior girl. If I am asked about the most favorite role, then I will call Arabzangs from the opera Shah Ismail M.
Magomayev, ”G. said G. The actress believed that in her formation, development, as an opera singer, this party played a decisive role. I received immense pleasure and enjoyment of their singing, ”G. said G. One of the artist’s favorite roles became Leili from the opera Leili and Majnun U. Thinking into the role, she saw how easily one can go astray on sentimentality and tearfulness in her interpretation.
However, G. Gasanova wanted not so much to cause pity and sympathy for Leili as to recreate the poetic haze of the elevated feeling of the girl’s love for the Mejnun. Each of her role was as a mastered step, which followed a new goal. Extraordinary acting, expressive stage appearance showed brightly in the parties of the Khandin girl-“Keroglu” by W. Gadzhybekov, Shahsenem-“Ashyg Garib” Z.
Gadzhybekova, Therapy Khanum-“Bahadur and Son” by S. Rustamova G. Gasanova in the role of Leilie and Medzhnun, B. Mansurov, G. Gasanov, E. Kurbanov, the singer was standing for the roles offered by the directors, realizing that it is possible to grind skill only in non -rested work. The best qualities of G. Gasanova found the embodiment in her pedagogical work, which she gave up a lot of mental strength.
Possessing a special “sense of theater”, knowing in all the intricacies of the specifics of singing art, G. For many years, Gasanova conducted intensive pedagogical work in the opera theater studio, in the Mugamy Theater and the Mugamy Studio Gulhar. The actress was engaged in young vocalists, believing that knowledge strengthened talent and polish its faces, taught young people to resist difficulties.
Being a talented actress, she starred in various films until the end of her life, among which were “cellar”, “great moments of life”. For great achievements in the field of musical culture, G. Gasanova was awarded the high award of Azerbaijan - the Order of Glory. The singer died at the age of 86, in the year. Based on the materials of the book “Masters of the Vocal Art of Azerbaijan” navigation by entries.