The structure of the characters biography

The structure of the character. The external and internal plans of the character. The structure of the literary hero. The literary hero is a complex, multifaceted character. He can live at once in several dimensions: objective, subjective, divine, demonic, book. However, in their relations with society, nature, and other people all that is the opposite of his personality, the literary hero is always binary.

He receives two forms: internal and external. It goes in two ways: introvert and extrovert. In the aspect of introversion, the hero is “thinking in advance”. He lives in a world of feelings, dreams, dreams. In the aspect of extraversion, the literary hero "Acting and then thinking." He lives in the real world for his active development. To create an appearance of the hero “works” his portrait, profession, age, history or past.

The portrait gives the hero face and figure; He teaches him a complex of distinctive features and bright, recognizable habits. Very often, the portrait becomes a means of psychologization and indicates some character traits. Profession, calling, age, history of the hero pedal the process of socialization. Profession and calling give the hero the right to socially useful activities.

Age determines the potential of certain actions. The story of his past, parents, country and place where he lives, gives the hero sensually tangible realism, historical concreteness. The inner appearance of the hero consists of his worldview, ethical beliefs, thoughts, affection, faith, statements and actions. The worldview and ethical beliefs endow the hero with the necessary ontological and value landmarks; Give meaning to its existence.

Attachment and thoughts outline the diverse life of the soul. Faith or the absence of such determines the presence of the hero in the spiritual field, his attitude to God and the Church in the literature of Christian countries. Actions and statements indicate the results of the interaction of the soul and spirit.

A very important role in the image of the hero’s inner appearance is played by his consciousness and self -awareness. The hero can not only reason, love, but also realize emotions, analyze his own activity, that is, reflect. Artistic reflection allows the writer to identify the person’s personal self -esteem; Describe his attitude towards himself. Especially brightly the individuality of the literary hero is reflected in his name.

With the choice of a name, the hero’s being in a literary work begins. In the name, his inner life is fierce, mental processes are drawn up. The name gives the key to the character of a person, crystallizes certain personality traits. In the literature, the name of the hero also has a spiritual norm of personal being; A stable type of life, deeply generalizing reality.

The name correlates its external, sound -letter mark with internal, deep meaning; Predicts the actions and character of the hero, unfolds his being. The hero is revealed in close connection with the general idea and the image of his name. Each personal name here is a special literary type, a universal path of life, characteristic only of this particular name. For example, the path of Lisa is the path of a quiet, touching rebellion against moral standards, against God, although Elizabeth is “revered God”.

The path of Natalia is the path of simple natural drives that are beautiful in their naturalness. The path of Maria is the path of the “golden middle”: the path of the servant lady, combining both majesty and humility. In other words, the name transforms the “life” of the literary hero, determines the method of movement of the latter in the worldly Sea.